No, all you Olympics fans, not for flips, twirls, or
crossing the finish line first, but for the most distinguished children's
literature of 2013.
The Caldecott Medal, for the year's best picture book, was given
to Brian Floca for LOCOMOTIVE. This was an unusual, but obvious, choice. Unusual, in that it was only the 7th time in
76 years that a nonfiction book won the prize, but obvious, since LOCOMOTIVE has been
showered with acclaim since it was published. (Even I predicted it would win.) Children
and their parents will find this beautiful book to be an enthralling
introduction to the history of the American railroad.
The Newbery Award committee's selection for best children's
novel was unexpected, but nevertheless a very popular decision. Kate DiCamillo received her second Newbery,
for FLORA AND ULYSSES: THE ILLUMINATED ADVENTURES. Flora and her two new friends
- Ulysses, a squirrel (with superpowers) and the "blind" William
Spiver - race around town getting in and out of trouble, and delighting readers
with their wacky antics at all times. Most adults thought this book was just
too much fun to win a "most distinguished" prize, but I'm glad to say
we were wrong!
The Michael L. Printz Award for the best book written for young
adults was a surprise as well, but this one not as welcome. It was won by Marcus
Sedgwick, the author of many well-received young adult novels, for his book
MIDWINTERBLOOD. Set on a vaguely Scandinavian island, MIDWINTERBLOOD is a
collection of seven stories, loosely connected by the two characters Eric and
Merle, whose identities in each tale are different in everything but name. The stories go back in time, concluding with
the religious sacrifice of one of the two protagonists. The successive characters and plots were, in
my opinion, so diffuse that it was hard to do more than admire the style of the
book.
But whether I liked it or loved it, I wonder - as have many other readers - why
this is considered a young adult novel, as it has almost no characters or themes
related to teens. A literary conundrum,
or just a publisher's business decision? Read it and let me know what you
think.
This year’s awards made it clearer than ever that the
decisions of literary prize committees are difficult to predict. But lucky us,
we now have a staff member who can provide some insight into the
decision-making process. My colleague Allison Murphy is in her second year of service
on the Connecticut Nutmeg Awards intermediate-level committee. For the second
year in a row, she will read 150+ books appropriate for 4th, 5th,
and 6th graders, and meet regularly with 14 other committee members to
produce a list of ten titles; young Connecticut readers can then read them and vote for their favorite. Lots of work but very satisfying, Allison says. (And I reply, when do you find time to sleep??)
Last but not least, here is Allison’s and my 2013 favorites list.
mhd
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